The Best Studio Monitor Speakers under $400
[contentsdisabled] Buying the right monitor speaker for your professional recording studio can be a difficult and time-consuming task. You’ll need to look through a number of different devices and decide which ones work best for your studio’s needs. As a sound engineer, you’re more than likely already familiar with the types of studio monitors that provide the best possible sound for your studio environment. For example, active monitors are easier to use than submissive monitors because they are more compact and require fewer cables and wires to use. Whether you know what sound equipment you should buy or not, you need to have an idea of the cost ranges of the equipment you are going to buy. Recording engineers, especially those who are starting to build their first professional recording studio, often have a limited budget and need to invest their money wisely so that they can buy all the equipment they need. When it comes to studio monitors, which are one of the most important tools for a sound engineer who wants to provide his buyers with the best possible sound results, there are a number of monitor models available at different costs.
Check out the list of the best studio monitor speakers under $400
Presonus Eris E5
The E5s enter a highly competitive market. While at this price point there might be a variety of options, there aren’t many monitors that can actually get the job done without some major downsides. Fortunately, as technology advances, we are getting a much bigger product at a lower cost. It’s hard to stand out from the competition of monitors priced below $250. You need to have a feature which will make it easily identifiable. KRK Rokits have a reputation for their prominent bass and popular usage in EDM and Hip-hop. Buy now
JBL Professional 305P MkII
The most important part of a studio monitor is the sound quality. This is where JBL offers some features. JBL uses its own patented Wave-guide. This allows the speaker to have a wider soundstage than other studio monitors. This is great if you have a larger studio space as the sweet spot is wider. JBL has incorporated some of the technologies they developed for their line of high-end studio monitors into these more affordable models. The 5-inch woofer is a good size for an average-sized studio. Once it’s powered, you don’t need to connect them to an external amplifier. Buy now
Yamaha HS5
The Yamaha HS5 is the smallest speaker in the HS series from the Japanese manufacturer. The brand’s popularity is uninterrupted among hobby audio fans and professional sound engineers. We’ve tested the Yamaha HS8 studio monitor before, the HS5 might feel like the little brother of the HS8. The HS5 is equipped with two amplifiers, the subwoofer is powered by a 45 Watt amplifier and the tweeter is powered by a 25 Watt amplifier. The transmission frequency is 74-24 kHz. The speaker has 2 balanced XLR and TRS inputs, which is not the most practical as even most entry-level DJ audio devices offer RCA connectivity. Buy now
KRK Classic 5
KRK end to end, this is a better choice if you want up from multimedia or general purpose speakers to your first pair of dedicated DJ/production monitors. Position them correctly and they will perform well for budding DJs and producers. The bass is great (not terribly deep, of course, but defined), and the highs are a little too prominent, unlike the mids, which maybe come out a little. These things are largely dependent on placement in the room, though, and we’ve found that when close and tilted correctly with the treble rolled just a notch on the rear stick, they hit a “sweet spot” for us. Buy now
PreSonus Eris E8 XT 8
High frequencies can be boosted. A continuously variable potentiometer (with a useful setback in the center ‘flat’ position) allows exact levels of HF boost or cut. However, care must be taken to accurately set each monitor identically. Although the E8XTs are powered by traditional Class A/B solid-state amplifiers, which run hotter than Class D types, there are no heat sinks in the cabinets. While the back panels feel warm to the touch, they don’t feel like the amps are going to overheat. Buy now
Mackie MR series
The continuously variable crossover is really useful. Take your time finding the sweet spot for your room and resist the temptation to give the sub more work than it needs to. The pedal’s on/off control is invaluable when trying to judge an appropriate sublevel without leaving your mixing position. A pedal-like sustain pedal is included. Keep in mind that putting the submarine in home studios will result in peaks and nulls everywhere, and the ideal location for bass monitoring will likely not be at your mixing position. Buy now
Pioneer DJ studio monitor (VM-80)
The active VM-80 produces clear audio with powerful bass and fast attack. The speaker can be adjusted to suit the characteristics of any environment, making it perfect for recreating a club sound when you’re playing or providing a flat frequency response when you’re producing music in a home or professional studio setup. Aramid fiber woofer cones deliver an exceptional punch you’ll feel in the low and mid-range frequencies. These newly developed cones are 30% lighter than conventional paper-coated aramid cones, making them stronger with deeper sound. Buy now
Rockville DPM10B 10
Rockville’s DPM10B is one of the only 10” studio monitors on the market. There’s only one other we’ve seen. We feel strongly among the few on the market that ours is the best sound and best quality. They have a flat frequency curve, making them the perfect studio monitors, but many customers also use them in their home or as stage monitors. These are just the cleanest sounding speakers you can find. The only reason our price is not 300% higher is because you are buying directly from the manufacturer. For maximum efficiency, we use a class “AB” tri-amp amplifier. There are 3 separate amplifiers built into this speaker. One for bass, one for mids and one for treble. Buy now
Yamaha HS7W 7
Yamaha’s HS7 Powered Studio Monitor is a bi-amplified monitor designed for accurate sound reproduction. Is able to up for 95W of total power and features a 6.5-inch woofer and a 1-inch tweeter with guide that can output frequencies up at 30kHz. The HS7 features a 1/4″ XLR and TRS input that accepts balanced or unbalanced signals for integration into a variety of studio setups. The speaker port design can greatly influence the overall sound clarity. Often, a vortex at each end of the door can generate air vibrations inside the door, causing unwanted noise. Buy now
ADAM Audio T5V
This bass reflex port helps the unit achieve a low frequency of 45Hz and we’ve found that monitors need at least 400mm of clearance to avoid an exaggerated bass response. If you need to place them closer together, a low shelf filter provides 2dB of cut or boost, while a similar +/- 2dB shelf is provided for the high end. ADAM has created a new version of its Accelerated Ribbon Tweeter for the T Series. It is made from a pleated polyamide film, drawing air in and then out of its folds as it expands and contracts in response to the signal. input audio. Buy now
Final note
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