The Best Netflix Comedies
[contentsdisabled] Comedy is one of the hardest classes to define. Everyone has their own sense of humor. As the world continues to fall apart, don’t you just want to laugh? Netflix is becoming the biggest laugh in the country after a long week at work, but it can be hard to figure out exactly what you’re in the mood for when you subscribe. up for the service. From the stand-up specialup from Netflix to originals and more, Netflix keeps its bases covered with a variety of titles that are sure to have everyone’s funny bone. If you’re in the mood for a dramedy like Other People, or a cheeky clown hit like Talladega Nights, or even a romantic comedy, you wouldn’t have to do much legwork to scour the Netflix library to find a good laugh. You’ve turned on Netflix and want to watch something funny. They worked on every show on the streaming platform and used up every comedy show that Netflix has to offer in terms of entertaining content. You’ve seen The Office more times than you can count and you’ll have to wait another year for the next season of Big Mouth to hit Netflix. While you might love every comedy show on the platform, one thing is for sure: you need something funny and long.
Here is the list of the best comedies on Netflix
moxie
Vivian (Hadley Robinson), a seemingly shy 16-year-old girl, has always preferred to keep her head down and fly under the radar. But when the arrival of a new student (Alycia Pascual-Peña) forces her to examine the uncontrolled behavior of her peers who run wild at her school, Vivian realizes she’s fed up. up. Inspired by her mother’s (Amy Poehler) rebellious past, Vivian anonymously publishes an underground zine called Moxie to expose prejudices and irregularities at her school and unexpectedly sparks a movement. Now at the center of a revolution, Vivian begins to forge new friendships with other young women and allies, crossing the divide between cliques and clubs as they learn to navigate the highs and lows of high school together.
Inside
Casting a pregnant woman as a victim in a horror movie is so obvious it’s strange it hasn’t been done more often. Without even establishing the character’s minor backstory, you get the sympathy of an audience that doesn’t want to see such a vulnerable character be harmed, and the taboo element that comes with the fact that it’s not just the life of a nubile youth that is at stake – there’s also a baby, whose death is off limits in all but the most sadistic horror movies. Their silent night is interrupted by a knock on the door. A woman asks for help, claiming her car broke down. When Sarah refuses, the woman reveals that she not only knows Sarah’s name, but also that her husband is dead. From this point (about 15 minutes) to the final of its 78 minutes of duration, the film becomes a tense fight for survival between a relentless aggressor and an almost defenseless victim.
prepare Up
prepare Up it gets so far to the highs that it neglects some of the potentially meatier plots and backstories. What do Harper and Charlie’s situations say about millennial work culture, for example? Then there’s the gay character BFF for Charlie, but with the unfortunate cast of Pete Davidson (who isn’t funny or charismatic here), this addition feels like a misstep for a movie that has such a good representation. There’s a timeless pleasure in seeing two people bump into each other and eventually fall in love. If the big studios aren’t churning out rom-coms like they used to, maybe original content streaming services like Netflix will prove to be the saving grace for a specific category of movies that people crave — even if they require a little 21st century makeover. .
half of it
The Half of It takes the millennial story of Cyrano de Bergerac (seen in Steve Martin-starring Roxanne films, and romcom Set It Up for the teen movie Sierra Burgess is a Loser) and adds an LGBTQ+ touch. The film also references teen movies (Pretty in Pink, The Breakfast Club, Mean Girls) while subverting certain tropes of the same genre. Preferring to keep her head down (the only friendly figure in her life is her English teacher, Ms. Geselschap, who encourages her to leave town for college), she earns money by writing other students’ essays for them, something she Mrs. G knows, but doesn’t object, because otherwise she’d have to read all the crap (in Plato and Sartre no less).
bad trip
This movie is not about stories and character arcs. Depth is not your ambition either. All he wants to do is make us laugh, and then he delivers, with each prank trumping the last. from Chris playing up at a bar, which leaves guests disgusted, for Trina to seek help from a kind-hearted wall painter during her prison break, the pranks seem better than they seem. Plus, our knowledge that set pieces are play keeps us one step ahead of the spectators, which adds to our enjoyment. The real problem is when this film tries to unite all this absurdity with sensitivity in the final. While comedy is largely subjective, it’s pretty hard not to be amused by a movie like this, which blatantly displays the ridiculous – like, say, a gorilla trying to mate with a man. All in all, Bad Trip is a good option.
The fundamentals of care
The Fundamentals of Caring is a 2016 film based on a novel of the same name. One of the best aspects of this film is how the handicapped main character, Trevor, is portrayed not as a helpless victim of circumstance, but as a flawed, and ultimately vulnerable, three-dimensional character, a character not defined simply and simplistically. . for his disability. It explores the many comedic moments between Trevor and Ben, both of whom are playful. On the road they choose up Dot (Selena Gomez), a hitchhiking runaway teenager who becomes Trevor’s object of desire. Then, just to complicate matters, Ben becomes convinced that his ex-wife’s process server is following them.
the lovebirds
Love is a strange thing. In the case of Netflix’s new movie The Lovebirds, it transforms from an adorable cute date into a four-year relationship that is on the verge of collapse. But that doesn’t stop the couple from having a misadventure of their life. Documentarian Jibran (Kumail Nanjiani) and publicity professional Leilani (Issa Rae) are on their way to a party when they are kidnapped. Their vehicle is used to run over a cyclist several times. Instead of going to the police, the now ex-boyfriends try to solve the crime themselves, which naturally becomes increasingly dangerous and bizarre.
The prom
Directed by Ryan Murphy — whose long-running series “Glee” was mostly half-assed but occasionally sublime — this Netflix movie focuses on three Broadway stars: Dee Dee Allen (Meryl Streep), a diva in the spirit of Patti LuPone; Barry Glickman (James Corden), a fellow comedy with a touch of Nathan Lane’s manic-depressive energy; and (yes, that’s her name) Angie Dickinson (Nicole Kidman), who echoes Bernadette Peters’ incredible ability to keep playing adorable kewpie doll roles, even though she theoretically should have aged with them. Once upon a time (after time), there was a school in Indiana – the state has the worst reputation it can survive – where every high school student’s hopes and dreams are based on going to a dance. One of them, Emma (Pellman), has a slightly different dream: she wants to take her girlfriend to the dance. The principal, Hawkins (Key), as gay as he is straight, is more than willing, in the general sense, to give every student their right.
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